made with a lower numbered filter that will lower the
contrast. If the original test print does not have enough
contrast, change to a filter with a higher number to
increase the contrast.
Making a Test Print
The printing exposure is the operation most likely
to cause you trouble. Unlike most films that can tolerate
some overexposure and underexposure and still yield
usable photographs, printing papers must be exposed
correctly to produce good prints.
Experience and familiarity with printing equipment
does help, but for the beginner, the correct exposure for
prints from most negatives is best determinedly making
test prints.
The density of a negative is a variable you must
consider. Negative density can be determined by making
a few test exposures. The exposure time for a negative
of average density may be about one to three seconds.
If the negative is large, avoid the expensive and wasteful
temptation of using a whole sheet of paper. Instead, use
a strip about 2 inches wide and as long as the negative
for the test exposure. For example, an 8- x 10-inch sheet
of paper can be cut into three or four small strips.
After you have determined the filter and the test
exposure time, set the timer for the estimated test
exposure time. Place the paper test strip over the
negative in the printing position. Place the test strip on
the negative so the test exposure includes some
highlights, midtones and shadow areas. Hold the paper
in position with one hand and lower the platen into the
printing position. As soon as the platen grips the edge of
the paper, move your hand out of the way. When the
platen is fully lowered, turn on the printing lights for the
test exposure time.
When the test strip has been exposed, develop it for
the recommended time. If the image is too dark the
exposure was too long. If the image is too light, the
exposure was too short.
It is difficult for even an experienced photographer
to judge the contrast of a print that has been under- or
overexposed. If the test print is too light or too dark the
exposure should be changed until the proper density is
reached with normal development before you attempt to
judge the contrast of the print. A normally exposed print
develops gradually, but steadily shadows first, then
midtones, and finally highlights. The image should
appear in about 30 seconds, providing that the developer
is at the proper strength and temperature. If the image
develops very quickly with a general mottling, it was
overexposed and the next test should be given less
exposure.
When you have produced a satisfactory test print,
you can make your production prints from that negative.
If you use a printing frame (glass and pad or proof
printer) to make contact prints, the most convenient and
economical way to determine exposure and connect
contrast is to expose the test strip in progressive steps
of, for example, two, four, six and eight seconds. This
is done by holding an opaque card on top of the glass
and covering three quarters of the paper and exposing
one-quarter of the paper for two seconds. The card is
then moved to cover one-half of the paper and giving it
an additional exposure of two seconds. Move the card
so it rovers one-quarter of the paper and give it another
two seconds of exposure. Finally, remove the card and
give the entire sheet one last exposure of two seconds.
This will show a distinct progression of exposures of
two, four, six and eight seconds (fig. 11-31). Develop
the test strip normally and determine the correct
exposure by visual examination in white light.
If the correct exposure appears to be between two
steps, the required exposure can usually be estimated
with some accuracy. However, further test prints maybe
needed.
Exposing and Processing Prints
When a test print develops in the recommended
time, rinse it in the stop bath, immerse it in the fixing
bath for about 30 seconds, rinse it in fresh water, and
inspect it carefully under white light. If the density and
contrast of the image look correct under white light,
make your first straight print.
Place the sheet of printing paper, emulsion-side
down, over the negative in the printing position by
aligning the paper edges with the paper stops on the
mask (if a mask is used). Hold the paper in the printing
position with one hand to keep it from slipping out of
place when the platen first presses against the edge of
the paper, and start the printing cycle as described
before. After the printing cycle is completed, remove the
paper for processing. Any number of duplicate prints
can be made by repeating the printing cycle.
Drop the print, emulsion-side down, into the
developer. Immerse it immediately with a quick sliding
motion while pushing it under the surface of the
solution. Grasp one edge of the print, lift it up, and turn
it over. Replace the print, emulsion up, on the surface of
11-34