The light source in the room should be behind, or at
least toward, the rear of the audience. This will reduce
the  occurrence  of  glare  spots  and  extraneous  light,
which reduces contrast.
Front lights produce too much light on the screen,
and their glare is distracting. You should never schedule
an overhead projector presentation in the morning in a
room that has windows on the east side that cannot be
draped.   Conversely,   presentations   should   not   be
scheduled in the afternoon in a room with windows on
the west side that cannot be draped.
Light sources that provide some illumination during
projection, but not directly on the screen, help maintain
a social atmosphere and permit taking notes. During
projection,  the  screen  image  highlights  should  be
brighter than any other surface within the viewers field
of view. Hot spots caused by reflections from shiny
surfaces  or  gaps  in  window  covering  should  be
eliminated.
The projector should never be focused on the
screen without a slide! The absence of a slide on the
overhead  projector  while  changing  transparencies
results in an annoying glare. The darker the room, the
greater the glare and the greater the distraction to the
flow of the presentation.
None of the usual solutions to this problem are
satisfactory. When the projector bulb is switched on and
off,  there  is  a  risk  of  bulb  failure,  which  can  be  an
awkward distraction. The shutter that fits just under the
lens can be used, but manipulation calls for a third hand
if transparencies are to be shifted quickly. Furthermore,
the shutter does not cut off the light from either the
ceiling  or  the  operators  eyes.  The  operator  may  be
temporarily  blinded  and  possibly  lose  his  place  in  the
script.
To solve this problem, you can use a simple device
that cuts off light at the aperture as well as pre-positions
the  slides.  This  device,  designed  to  work  with  any
overhead projector, is attached to the light table with
masking  tape.  A  transparency  is  fed  into  the  charnels
and centered over the aperture. While this transparency
is being shown, the next transparency is fed into the
Figure  6-9.-Screen  relationships  for  audience  seating.
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