Remote
The remote interview is either the informative,
personality or man on the street type of interview and
it is often conducted at a specific event. The major
disadvantages of a remote interview are the limitations
in station equipment and the lack of control over the
environment. Nevertheless, this type of interview gives
you the advantage of timeliness.
Telephone
The telephone interview can be either an opinion,
an informative or personality interview. Good audio
levels are sometimes hard to get during a telephone
interview, so make sure you consult your engineer
before airing the interview live. Furthermore, make sure
you inform the interviewee of your intentions before
you air the discussion live.
TAPED INTERVIEWS
The taped or canned interview is the preferred
method of presenting a radio or television interview.
Although it usually lacks action, presence and
spontaneity, the taped interview gives you total control
of timing, format and content and it allows you to choose
the means or location to bring out the best in your guest
and subject.
When you tape an interview from a remote site,
make sure the background noise enhances the interview,
rather than disrupt it. Your knowledge of the directional
capabilities of microphones and selecting the correct
one will help you in this area.
You can respond quickly to news events by taping
interviews over the telephone. Use only portions of the
interview as news inserts or actualities because the
audio quality is generally poor and would become
distracting over a long period. If your questions are to
be used as part of the interview or actuality, make sure
the audio levels are balanced.
You may have no choice as to whether you do a
television interview in the studio or as a remote. If you
do have a choice, the studio is preferred for a
self-contained interview program. The studio provides
a controlled environment. The sets are ready, shots and
camera movements are planned, audio is checked well
in advance and the crew is prepared long before the
interview begins. As you learned in Chapter 14, the set
determines the tone of the interview. Viewers form their
first impression from the set. It should complement the
interview and not compete for the viewers attention.
Many of the radio or television interviews you do
will not be in a studio. By recording an interview on
location, you add excitement, realism and a sense of
being there. Often an interview subject is much more
comfortable in his own office or surroundings rather
than in a studio and this usually leads to a better
interview.
Before you tape a remote interview (if time
permits), survey the location to avoid problems. Your
primary consideration should be checking the acoustics
and deciding if ambient noise will be distracting. The
use of background noise can enhance the interview if it
is unobtrusive and blended at a level that does not
overpower the conversation. Remember that your
equipment may record noise you are not aware of from
air conditioning or other electronic equipment. Identify
an alternate location if you think you will encounter
problems.
INTERVIEW PREPARATION
LEARNING OBJECTIVE: Identify the
preparatory considerations of radio and
television interviews.
The preparation considerations for radio and
television interviews are similar. Whether you are
assigned an interview or tasked to develop the program
yourself, thorough planning is essential.
In this section, we cover the following four basic
interview planning steps:
l Arranging the interview
. Researching the subject
. Formulating questions
l Arranging transportation
ARRANGING THE INTERVIEW
Before you arrange an interview, make sure the
potential interviewee is an expert on the subject. Just
because Ens. Isobar works in the weather office does not
mean she knows the most about hurricanes and
tornadoes.
Once you know who you want to interview, call that
person and identify yourself by name, rank and office.
Tell him what subject(s) you want to cover and suggest
a time, date and location.
15-4