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Figure 12-10.Leading lines.
Lighting

Journalist 3 & 2 - Introduction to Journalism and other reporting practices
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Figure 12-11.—Framing the point of interest using a cargo net. Foreground and Background The area in front of and behind a subject can be used to develop depth in a photograph. For example, when you place objects relevant to the subject in the foreground, the foreground  and  the  subject  (in  the  middle  ground)  both become elements of interest in the photograph. However,  you  should  avoid  a  busy  foreground  or background. Too many details or unattractive components will detract from the main subject. For instance, a flagpole or a sword in the command insignia appearing to grow out of  someone’s   head   obviously   harms  the  effect   of  the photograph. The  foreground  or  background  also  can  be  blurred intentionally by camera settings and selective focusing to draw attention to the subject. Framing Another method of confining attention to the point of interest is by framing it with foreground objects (fig. Figure 12-12.—Informal working portrait shot from a low angle. 12-11). The object could be an arch, a window, a tree limb or even an arm or leg. Camera Angle The  camera  angle  also  is  very  important  in  good composition.  It  can  help  you  place  emphasis  where  you want it. Angles can be used to create the unusual when the scene  is  commonplace.  Using  a  high,  low,  left  or  right angle relative to your subject can produce an entirely new effect.  Avoid  shooting  everything  from  the  common  eye level. This is the same view seen by your viewer all day long.   Walk   around   the   subject   and   determine   which viewpoint will have the most impact or the most pleasing effect. When  the  camera  is  placed  above  the  level  of  the subject,  it  creates  a  distant  and  detached  view.  Shooting from  a  low  angle  produces  a  dramatic  and  a  statuesque effect  (fig.  12-12).  When  the  camera  is  aimed  at  a  45- degree  angle  toward  the  subject,  it  lends  depth  to  the subject  and  gives  the  best  identification.  On  the  other hand, a frontal view creates a flat appearance and will not last very long in the viewer’s mind. 12-14







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